March 19, 2022 — May 1, 2022

A Curve of Many
by Cudelice Brazelton IV

A Curve of Many consists of new work in the form of painting, collage, sound, and sculpture which often blend in with the surrounding architecture by wrapping along corners of walls and intervening in the infrastructure of the warehouse gallery space. Brazelton combines self-fashioning cues with the preexisting industrial material in a particular space to reveal a set of codes which serve as a way to achieve autonomy within systems of power.

Cudelice Brazelton IV (b. 1991, Dallas) lives and works in Frankfurt. He attended the Skowhegan School of Painting and Sculpture and studied at the Staatliche Hochschule für Bildende Künste, Städelschule. Selected solo and duo exhibitions include; Starter Kit, Galerie Barbara Weiss, Berlin (2021); Bronzed from Silver, Sans titre (2016), Paris (2021); Recoil (with Dozie Kanu), International Waters, New York (2020); Violent Groom, Wschód (2020); Prune (with Nicholas Grafia), Shoot the Lobster, New York (2019); and Bounty (with Jacob Mason-Macklin), Jeffrey Stark, New York (2017). Selected group exhibitions include Beneath Tongues, Swiss Institute Architecture and Design Series, Swiss Institute, New York (2022); Chewing Fat, Kristina Kite Gallery, Los Angeles (2021); Touch Release, Kunstverein Wiesbaden, Wiesbaden (2021); Vigil, Wschód &; Emmanuel Layr, Warsaw (2021); Cuerpos, Lodos Gallery, Mexico City (2020); The Struggle for Change, Murmurs, Los Angeles (2020); Ten Toes Down, Museum of Contemporary Photography, Chicago (2018); In Practice: Another Echo, SculptureCenter, New York (2018); and Le Colt est Jeune & Haine, DOC!, Paris (2018).