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Exhibitions
︎︎︎  March 7 –– April 10
Sighs and Leers and Crocodile Tears by Sula Bermúdez-Silverman
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︎︎︎  April 24 –– June 5
Micah Schippa

︎︎︎  May 16 –– June 26
Samuel Kenswil


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Currently on View


March 7, 2021 — April 10, 2021 | Opening Sunday March 7 
By Appointment Only︎Schedule an appointment ︎︎︎
View the Press Release ︎︎︎  |  Download Checklist ︎︎︎ |  Download Exhibition Map ︎︎︎  



𝔖𝔦𝔤𝔥𝔰 𝔞𝔫𝔡 𝔏𝔢𝔢𝔯𝔰 𝔞𝔫𝔡 ℭ𝔯𝔬𝔠𝔬𝔡𝔦𝔩𝔢 𝔗𝔢𝔞𝔯𝔰
by Sula Bermúdez-Silverman


Born in New York, Sula Bermúdez-Silverman is an artist currently living and working in Los Angeles, California. She earned her BA in Studio Art from Bard College and studied at Central Saint Martin’s School of Art and Design in London. She was awarded her MFA in Sculpture from the Yale School of Art in 2018. She has had solo exhibitions at the University of Texas at Austin, Project Row Houses in Houston, Texas and the California African American Museum in Los Angeles, CA.



Installation Views

Carrefour Pietà / Be My Victim, 2021

Wool and acrylic yarn

140”w x 57”h



The Monster’s Bride (She’s Alive!), 2020

Wool and viscose yarn
25” l x 18” w
Installation Views


Repository I: Mother, 2021

Isomalt sugar, Himalayan pink salt, epoxy resin, found object

44” l x 36” w x 56” h


Repository II: Dead Ringer, 2021

Glass, Himalayan pink salt, water

45” l x 20” w x 44” h


Repository III: Resurrector, 2021

Himalayan pink salt, urethane resin

35” l x 42” w x 42” h



Turning Heel, 2021

Himalayan pink salt, isomalt sugar, glass found object

Dimensions variable

Paradise Regained, 2021

Isomalt sugar and glass found object

10” l x 10”w x 6”d



If a Serpent Did Not Eat Another, it Would Never Become a Real Dragon, 2021

Isomalt sugar and glass found object

16” l x 12”w x 16
Lady with the Ring, 2021

Glass, carpenter bee

14” l x 9” w

Satan Arousing the Rebel Angels, 2021

Isomalt sugar, epoxy resin, puffer fish specimen, cast glass, carpenter bees

Dimensions variable


To Fear a Painted Devil’s Trumpet, 2021

Himalayan pink salt, kosher salt, sea salt, glass, carpenter bees, crushed emerald, Devil’s Trumpet seed pods (Datura inoxia), Devil’s Trumpet seeds (Datura inoxia), raw sugar

Dimensions variable


Installation View

Porthole 1 (Proteus), 2021

Isomalt sugar, epoxy resin, transparency film

7” l x 4” w x 1 3/4”d


Porthole 2 (Parentheses of Blood), 2021

Isomalt sugar, found object

7” l x 4” w x 1 3/4”d


Porthole 3 (Chemical X), 2021

Himalayan salt, epoxy resin, transparency film, wood

7” l x 4” w x 1 3/4”d

Porthole 9 (Amityville Horror (1979), 1:01:10), 2021

Kosher salt, isomalt sugar, epoxy resin, Gasteracantha versicolor, and wood

7” l x 4” w x 1 3/4”d


Porthole 5 (Aggressive Mimicry), 2021

Isomalt sugar, epoxy resin, Jeweled Flower Mantis (Creobroter Gemmatus) specimen
 
7” l x 4” w x 1 3/4”d


Porthole 6 (Julian’s Hatchet), 2021

Isomalt sugar, epoxy resin, transparency film

 7” l x 4” w x 1 3/4”d


Porthole 7 (Death and the Maiden), 2021
Himalayan pink salt, epoxy resin, transparency film, wood

7” l x 4” w x 1 3/4”d


Porthole 8 (A Jewish Woman Devouring Her Child during the Siege of Jerusalem), 2021

Isomalt sugar, epoxy resin, transparency film, glass found object

7” l x 4” w x 1 3/4”d


View the Press Release︎︎︎


Photo Credit: Joshua Schaedel

Select Press:

Artviewer︎︎︎ | Hyperallergic︎︎︎ | Tzvetnik︎︎︎ | Ofluxo︎︎︎ | Hyperallergic︎︎︎


Mark